In 1941, there was a film to make, and it was this one. Fritz Lang felt very values that the world needed: courage and resistance to oppression.
oppression, the director knows the stage. In its visual invention, at its special meaning if the retail space in its expressionism, he adds sound. A clear sound without realism: a great silence as some sounds are very distinct break. The sound is not decorative, nor illustrative, it is an extra dimension of care that the characters must carry their own actions to avoid being caught. If they manage to blend into the dark stairway, they also need to silence the girl who goes and starts screaming. A mechanical paranoia is taking place in a very clever, and (this is where Lang seems far superior to Polanski, for example) the characters do everything to stop it (the character polanskien, more depressed, be more easily crushed by mechanics).
hero Man Hunt is not really a hero. It becomes. After it becomes fundamental two games that will change his life, his courage and make a bit boastful of English aristocrat more useful. We see first shooting blanks on Hitler. If he had been shot, he would have killed him. Dimmed, he puts a bullet, but then he gets caught. After being tortured to sign a paper that refuses to sign (where it was mentioned that the British government had commissioned to kill Hitler), he managed to escape. He boarded a ship. A young apprentice ten years helps him hide. First meeting important.
The second is a woman. Back in London, discovers that the man continues. It lurks in this woman, who will use all his courage and his love, without even knowing what he did or why it continues, for it has survived. This woman is a class well below theirs. She might enjoy it and it does not. His modesty is also the reason for the survival of man because she chooses to present, a chrome spindle-shaped arrow, not a heart set with diamonds, man shall live. And, hunted man, he became a Rebel. Great movie.
0 comments:
Post a Comment