There has not, to my knowledge of French film also specifically addressing the current policy. Helene Angel has assimilated all the codes of the right ruling into a fiction in this case, a horror movie (what else?). Its strength lies in the gradual modification of the object of fear: first, the ghost of a brother killed, then a non-paper, and finally, right, thinking right, the rightists, the right behavior. The right becomes the ultimate terror of the main character, who has more then one solution to end (because no question of playing the victim) to use the shotgun. The film would collapse under its good intentions if the undocumented was an angel, but it is not the case - Helene Angel is more clever than that. The non-paper is nothing more than man, and if the heroine is left for him is for reasons that have nothing humanist.
The film catches a bit by its timeliness. We do not believe in this couple, we do not feel them sticking to the memory which united them. The film would have us impose the factuality of a bourgeois couple trite, but the heroine is anything but a bourgeois, then something is not working.
But recently, as the pleasure is great to see a Rolex become a cog in the screenplay tenfold meanings - as the signs are here today and exchanged again, displaced, dispossessed. Property Is Condemned is a film that focuses to break down myths UMP, and succeeds. Besides, everything is in the title: Helen Angel says loud and clear that these things (the Rolex, undocumented) do not belong to the right.
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