The deceit has lasted long enough, reveal it: Wajdi Mouawad, Marc Levy. If so please Wajdi Mouawad today in chic circles (and not Marc Levy) is that marclévytude Wajdi Mouawad dons the mask of his Lebanese origins - unassailable legitimacy, it can then bring on the worst follies war and affiliation, no one seeks her lice. Moreover, the war-torn country is not named because it is the war (Canada, he is appointed, because Canada is nothing). Pretext for shaved heads, mothers and children shot, prison rape, all that excites at dinners and other stories of orphans worthy club Dorothy (there were I think the club Dorothée, a series that looked like this story, I think it was called Twins the end of the world - is that Lebanon was captured at the club Dorothée?).
Unveiling without further delay the film's end: the twins discover that their brother and their father, they do not know and their mother to death has asked them to return, are one and the same person. And it everything. That's all, but in case you did not understand it, we repeated five times in five different ways. The emotion aroused opens on nothing other than itself, the story has only referred to surprise, shock, make them cry. Then we can go home.
A good film, it is suspenseful or not, should not suffer because it says in the end (Norman Bates and his mother are one and the same, you know, and yet we see returns psychosis) - it is that is Fire not a good movie. And Denis Villeneuve is a bad filmmaker. Nothing to save these Fire . The staging copy of the worst French films of the 90s. The actors are an awful seriously. And not a plan to save the other, everything is ugly. Radiohead to the rescue serves as fire truck, thickening the hollow images that connects the film unnecessarily.
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