cut scenes of the film by Apichatpong Weerasethakul Uncle Boonmee 
It is interesting to see the scenes that Apichatpong Weerasethakul has decided not to show us.
We realize as well that the princess had a role far less ad hoc, since a scene showing the night hailed by villagers hands towards his shadow veiled, and another showed the childbirth suspended from the branch of a tree.
Except for a scene where the sister-Boonmee expecting a bus to town, they are mostly nocturnal sequences that have disappeared. Apichatpong Weerasethakul has blurred the night. And this kingdom that we see in the picture below? What was he harboring souls? We will not know. The palaces were destroyed, and the ghosts have escaped from cages preconceived (time: the night a place: the palace - it does enough: they are everywhere and can appear at any time).
There was a second dinner, when the woman returned Boonmee, but when his son was no more. Boonmee there hypothesized that the monkey came the day before was not his son, but an animal joker. It heard about meditation on "the day when you master this art, says he to his sister-in you can go wherever you want." It also explains what he sees when he meditates is like a movie. We can then reverse the point: to Apichatpong Weerasethakul, a film is like meditating.
In the cave, we saw images of primitive animals, cells through a microscope, and we heard the sad story of the sister-in just after the walls are strafed by spurious flashes where other surfaces, shapes and depths are revealed.
Here, a perspective on the film.
It is interesting to see the scenes that Apichatpong Weerasethakul has decided not to show us. 
We realize as well that the princess had a role far less ad hoc, since a scene showing the night hailed by villagers hands towards his shadow veiled, and another showed the childbirth suspended from the branch of a tree. 
Except for a scene where the sister-Boonmee expecting a bus to town, they are mostly nocturnal sequences that have disappeared. Apichatpong Weerasethakul has blurred the night. And this kingdom that we see in the picture below? What was he harboring souls? We will not know. The palaces were destroyed, and the ghosts have escaped from cages preconceived (time: the night a place: the palace - it does enough: they are everywhere and can appear at any time). 
There was a second dinner, when the woman returned Boonmee, but when his son was no more. Boonmee there hypothesized that the monkey came the day before was not his son, but an animal joker. It heard about meditation on "the day when you master this art, says he to his sister-in you can go wherever you want." It also explains what he sees when he meditates is like a movie. We can then reverse the point: to Apichatpong Weerasethakul, a film is like meditating. 
In the cave, we saw images of primitive animals, cells through a microscope, and we heard the sad story of the sister-in just after the walls are strafed by spurious flashes where other surfaces, shapes and depths are revealed. 
Here, a perspective on the film. 
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