My friend Raymond finished the video of this great day of May 16, 2010.
A big thank you to my friends and Yvan Raymond for their assistance in this short film.
video link
Tuesday, June 15, 2010
Rate Of Obesity In Singapore
July 8, 2010 Video of the Health On June 15, 2010
My friend Raymond finished the video of this great day of May 16, 2010.
A big thank you to my friends and Yvan Raymond for their assistance in this short film.
video link
My friend Raymond finished the video of this great day of May 16, 2010.
A big thank you to my friends and Yvan Raymond for their assistance in this short film.
video link
Friday, June 11, 2010
South Park Subtitle Streaming
"dagger This is thy sheath"
With two final performances of tragic loves of Pyramus and Thisbe at the Athenaeum this Saturday, June 12,
the 09-10 season ends.
Thanks to all who have followed the creation (the tragic love of Pyramus and Thisbe / In the web tonight / Fables)
and times (Characters / La la la / Le Bourgeois Gentilhomme / How Wang-Fo was saved)
and go next season:
"Once every year we see you die
Once every year we see you flourish"
- Thisbe, Act V Scene 2.
(Photo by Christopher Patrick Naillet Naillet) 
With two final performances of tragic loves of Pyramus and Thisbe at the Athenaeum this Saturday, June 12,
the 09-10 season ends.
Thanks to all who have followed the creation (the tragic love of Pyramus and Thisbe / In the web tonight / Fables)
and times (Characters / La la la / Le Bourgeois Gentilhomme / How Wang-Fo was saved)
and go next season:
"Once every year we see you die
Once every year we see you flourish"
- Thisbe, Act V Scene 2.
(Photo by Christopher Patrick Naillet Naillet)
Wednesday, June 9, 2010
Can You Do A Urine Sample To Check For Std
Babylon-news, following
The tragic love story of Pyramus and Thisbe
by Armelle Héliot
Benjamin Lazar directed and plays the title role of the part Gorgeous Theophile de Viau. The author of the seventeenth century is rarely played. The director shall return the pronunciation of the time surrounded by actors as talented as him. Nothing is fixed, everything is alive, moving.
There is an aesthetic beauty of Benjamin Lazar. An exhibition of Adeline Caron very dark, lit by lamps at the forefront and panels designed by Christophe Naillet candles. These items are moved as and when the passing of the acts. Black dominates, as in the sumptuous costumes by Alain Blanchot. That's it. Here Desousa one of very beautiful photographs of Nathaniel Baruch lorsqu'entre King, the chandeliers descend ...
The key is the game The appearance of characters individuals with their makeup (Mathilde Benmoussa) and how to tell interpreters who remember, pronounce the former in particular being heard all final consonants. It is a French language a bit foreign requires sustained attention. But the language of Theophile de Viau is so beautiful that one is enthralled from start to finish.
By keeping very musicality and emotion that overwhelms because the work is immense, fascinating power. Pyramus and Thisbe, is best known by the stage of artisans in The Dream of a summer night of Shakespeare ... The story is such that of Romeo and Juliet: the thwarted love and tragedy of two young people. Pyramus, played by Benjamin Lazar and Thisbe, played wonderfully by Louise Moaty. It's beautiful. Other performers include: Nicolas Vial, the jealous king, Anne-Guersande Ledoux, Thisbe's mother, Alexandra Rübner, who moves from one character to another with intelligence, Lorenzo Charoy who did the same, Julien Cigana, and Bersiane Syllar. All united, personal, precise, musical, heartbreaking. Wonderful for those who love the language and poetic emotion.
the Athenaeum Theatre, until June 12, 20:30 until Saturday. Duration: 1:45 without intermission (01 53 05 19 19).
http://blog.lefigaro.fr/theatre/2010/06/pyrame-et-thisbe.html
Photo: Nathaniel Baruch 
The tragic love story of Pyramus and Thisbe
by Armelle Héliot
Benjamin Lazar directed and plays the title role of the part Gorgeous Theophile de Viau. The author of the seventeenth century is rarely played. The director shall return the pronunciation of the time surrounded by actors as talented as him. Nothing is fixed, everything is alive, moving.
There is an aesthetic beauty of Benjamin Lazar. An exhibition of Adeline Caron very dark, lit by lamps at the forefront and panels designed by Christophe Naillet candles. These items are moved as and when the passing of the acts. Black dominates, as in the sumptuous costumes by Alain Blanchot. That's it. Here Desousa one of very beautiful photographs of Nathaniel Baruch lorsqu'entre King, the chandeliers descend ...
The key is the game The appearance of characters individuals with their makeup (Mathilde Benmoussa) and how to tell interpreters who remember, pronounce the former in particular being heard all final consonants. It is a French language a bit foreign requires sustained attention. But the language of Theophile de Viau is so beautiful that one is enthralled from start to finish.
By keeping very musicality and emotion that overwhelms because the work is immense, fascinating power. Pyramus and Thisbe, is best known by the stage of artisans in The Dream of a summer night of Shakespeare ... The story is such that of Romeo and Juliet: the thwarted love and tragedy of two young people. Pyramus, played by Benjamin Lazar and Thisbe, played wonderfully by Louise Moaty. It's beautiful. Other performers include: Nicolas Vial, the jealous king, Anne-Guersande Ledoux, Thisbe's mother, Alexandra Rübner, who moves from one character to another with intelligence, Lorenzo Charoy who did the same, Julien Cigana, and Bersiane Syllar. All united, personal, precise, musical, heartbreaking. Wonderful for those who love the language and poetic emotion.
the Athenaeum Theatre, until June 12, 20:30 until Saturday. Duration: 1:45 without intermission (01 53 05 19 19).
http://blog.lefigaro.fr/theatre/2010/06/pyrame-et-thisbe.html
Photo: Nathaniel Baruch
Sunday, June 6, 2010
What Movie Does Get Raped
Babylon Kinder-news
"Everyone else is the passion that deploys the troops by Benjamin Lazar in the tragic love of Pyramus and Thisbe, Theophile de Viau (1590-1626). Here This is not the decor is authentic, but the language and light. Benjamin Lazar indeed eager to speak the poetry of Theophile de Viau pronouncing diphthongs and final, as in 1623, when the piece was created. past the picturesque effect is the very flesh of the language that installs a sudden unexpected space, the sound is set design, the voice that dominates the body and gives them dimension. And in the candlelight of this time, we are transported by the stamps of young actors transfigured by the verb (Benjamin Lazar in person and the divine Louise Moaty). It's magic. Especially as Theophile de Viau takes Ovid's sublime story of thwarted love that also inspired Shakespeare's Romeo and Juliet, and it still makes an insolent perfume of rebellion among the lovers decided to suicide to defend their passion prohibited. The very libertine poet was not he himself imprisoned for his writings and ideas? Through its "reconstitution" voice of the era, Benjamin Lazar not transferring him to any laziness. He seeks to capture the spirit. As if the singing voices awoke the essence of the text. He succeeded. "
TELERAMA, June 5, 2010
" Through a slit in the wall, our two lovers they fled in haste to escape their families, lustful king and his henchmen criminals. One can imagine in a dream the pale stone wall, covered with leaves in the dark moon and the deep forest, inhabited by wild beasts which Pyramus and Tisbe were given appointments. It's the magic of the text of Theophile de Viau (1590-1626) - eldest of our three glories, Corneille, Racine and Molière, which flowered into poetry suggests furious love in a mythical world, familiarly the gods of Olympus. It is also the magic of the staging of Benjamin Lazar, gifted playwright, who, sober effects, recreates a world of precious and enchanted at the Athenaeum Theatre.
For on the scene, there's nothing else that night and the flames of the cosmos: no painted canvas, golden lions. But an empty space, inhabited only by candles lined up on the ramp and doors, set doors or windows empty. A single chandelier, sort of the Calder mobile, descends when the king appears. And shards of material suspended from son flicker like distant stars in the final scene. Spirits of the forest, two figures dressed in black manipulate these trees waxes, which illuminate the heroes, their faces powdered, their black suit and gold. "The tragic love story of Pyramus and Thisbe," inspired "Metamorphoses" of Ovid (as "Romeo and Juliet" and "Dream of a Summer Night") will play in a black hole of time. It's a rare moment of grace that is offered alien to the viewer.
Benjamin Lazar, thirty-three years, grown for several years now happily fiber Baroque in theater and opera (his first "victory" was the "Bourgeois Gentleman ", created in 2004). "The tragic love of Pyramus and Tisbe" mark a return to pure theater. Except that in the baroque tradition, the theater remains close to the dance (for sophisticated gestures) and song (for his amazing phrasing). The rappers and slammers basically invented nothing. A timeless couple
Initially, the unsuspecting public is necessarily confused: the actors declaim with a funny accent (mid-Quebecois, half-Burgundy) by rolling the 'r' and towards the end of the vote in all consonants (the heavens become cieusses, love "aimerrre). Of suddenly the old "Francois" becomes a new language ... Benjamin Lazar creates a "theater of cruelty" XVII style where everything - light, wigs, makeup, costumes, voice and gestures ... to transport us somewhere else sorcerer.
Especially it is an excellent actor, Benjamin. Pyramus solar, it drives the whole company in a virtuoso playing, codified, but very vibrant and current. Louise Moaty (Thisbe), he formed a couple of young lovers timeless. He does not forget to punctuate the tragic love lightning comical: Nicolas Vial in foppish king lion and cruel smile, as Julien Cigana, soul damned irresistible rogue philosopher. The actor-director succeeds perfectly the bravura of the dead lovers, who curiously closes the piece in two monologues rivers. The forest is mysterious, hostile and marble tomb ... In two short hours unreal, Benjamin has returned all the poetry and the insolence of Theophilus, magnifying the absolute love and jealous, criticizing the old, suffocating reason with words in the passion. "
Les Echos, May 31, 2010
Julien Cigana and Alexandra Rübner photo, repetitions (Christopher Naillet) 
"Everyone else is the passion that deploys the troops by Benjamin Lazar in the tragic love of Pyramus and Thisbe, Theophile de Viau (1590-1626). Here This is not the decor is authentic, but the language and light. Benjamin Lazar indeed eager to speak the poetry of Theophile de Viau pronouncing diphthongs and final, as in 1623, when the piece was created. past the picturesque effect is the very flesh of the language that installs a sudden unexpected space, the sound is set design, the voice that dominates the body and gives them dimension. And in the candlelight of this time, we are transported by the stamps of young actors transfigured by the verb (Benjamin Lazar in person and the divine Louise Moaty). It's magic. Especially as Theophile de Viau takes Ovid's sublime story of thwarted love that also inspired Shakespeare's Romeo and Juliet, and it still makes an insolent perfume of rebellion among the lovers decided to suicide to defend their passion prohibited. The very libertine poet was not he himself imprisoned for his writings and ideas? Through its "reconstitution" voice of the era, Benjamin Lazar not transferring him to any laziness. He seeks to capture the spirit. As if the singing voices awoke the essence of the text. He succeeded. "
TELERAMA, June 5, 2010
" Through a slit in the wall, our two lovers they fled in haste to escape their families, lustful king and his henchmen criminals. One can imagine in a dream the pale stone wall, covered with leaves in the dark moon and the deep forest, inhabited by wild beasts which Pyramus and Tisbe were given appointments. It's the magic of the text of Theophile de Viau (1590-1626) - eldest of our three glories, Corneille, Racine and Molière, which flowered into poetry suggests furious love in a mythical world, familiarly the gods of Olympus. It is also the magic of the staging of Benjamin Lazar, gifted playwright, who, sober effects, recreates a world of precious and enchanted at the Athenaeum Theatre.
For on the scene, there's nothing else that night and the flames of the cosmos: no painted canvas, golden lions. But an empty space, inhabited only by candles lined up on the ramp and doors, set doors or windows empty. A single chandelier, sort of the Calder mobile, descends when the king appears. And shards of material suspended from son flicker like distant stars in the final scene. Spirits of the forest, two figures dressed in black manipulate these trees waxes, which illuminate the heroes, their faces powdered, their black suit and gold. "The tragic love story of Pyramus and Thisbe," inspired "Metamorphoses" of Ovid (as "Romeo and Juliet" and "Dream of a Summer Night") will play in a black hole of time. It's a rare moment of grace that is offered alien to the viewer.
Benjamin Lazar, thirty-three years, grown for several years now happily fiber Baroque in theater and opera (his first "victory" was the "Bourgeois Gentleman ", created in 2004). "The tragic love of Pyramus and Tisbe" mark a return to pure theater. Except that in the baroque tradition, the theater remains close to the dance (for sophisticated gestures) and song (for his amazing phrasing). The rappers and slammers basically invented nothing. A timeless couple
Initially, the unsuspecting public is necessarily confused: the actors declaim with a funny accent (mid-Quebecois, half-Burgundy) by rolling the 'r' and towards the end of the vote in all consonants (the heavens become cieusses, love "aimerrre). Of suddenly the old "Francois" becomes a new language ... Benjamin Lazar creates a "theater of cruelty" XVII style where everything - light, wigs, makeup, costumes, voice and gestures ... to transport us somewhere else sorcerer.
Especially it is an excellent actor, Benjamin. Pyramus solar, it drives the whole company in a virtuoso playing, codified, but very vibrant and current. Louise Moaty (Thisbe), he formed a couple of young lovers timeless. He does not forget to punctuate the tragic love lightning comical: Nicolas Vial in foppish king lion and cruel smile, as Julien Cigana, soul damned irresistible rogue philosopher. The actor-director succeeds perfectly the bravura of the dead lovers, who curiously closes the piece in two monologues rivers. The forest is mysterious, hostile and marble tomb ... In two short hours unreal, Benjamin has returned all the poetry and the insolence of Theophilus, magnifying the absolute love and jealous, criticizing the old, suffocating reason with words in the passion. "
Les Echos, May 31, 2010
Julien Cigana and Alexandra Rübner photo, repetitions (Christopher Naillet)
Tuesday, June 1, 2010
Pioneer Shallow Mountamplifier
that Boileau
Much more amiable than Boileau reproached with acidity Viau the last verses of Thisbe (Ah, here's the dagger that the blood of his master-was stained loose, he flushed the traitor), Catherine Robert's Terrace has been it is sensitive to the writing of Theophile and his interpreters. The end "stabbing" is described as "poignant". Happy development: we blush!
Criticism /
the tragic love of Pyramus and Thisbe
Benjamin Lazar depicts the tragic love of Pyramus and Thisbe, Theophile de Viau. A show in the manner of Grand Century that combines elegance and beauty of dramatic effects.
must recognize that the true bias requirement is that of Benjamin Lazar and his companions defeated the outset the eye and ear. The director and designer of the art of play that mimics the habits of the classic scene scenic readily admits: its so ready to smile as the first contemporary crushes speak French now that these young artists dare resurrect the complexity and the original form of his diction. But we soon please understand what we mean and admire the strength suggestive gestures that appeared first hieratic and mannered. Language becomes an object to be theatrical and restored in the richness of rhyme and rhythm: each syllable, even better, as each phoneme is essential to note melody became a speech. Heightening the beauty of the poetry of Theophile de Viau, the actors make their art and its aesthetic virtue first and goldsmiths are specific to this project which focuses the company for several shows to return each time a "language event .
intelligence and sensitivity
Lit by candlelight, the scene offers chiaroscuros carve the flesh and play with the precious beauty of the costumes. The gold and black color tables all most elegant one than the others, moving between secret rendezvous with the lads brilliant moments of anger of a tyrannical monarch who confuses his desire and the law. The form of elaborate staging and play, far from crushing the bottom and lessen the plot, instead the door to its maximum intensity, particularly in the scene of remorse of the mother of Thisbe who understands it too late to protect love his daughter, and in the final scene where, one after another, Pyramus and Thisbe stabbing himself for losing one's "soul" and the other his "heart." The show of passion is rarely shown so poignant and beautiful as do Benjamin Lazar and Louise Moaty who sing the beauty of the poetry of Theophile de Viau with amazing and exciting talent. All the actors are of precision and accuracy of all rare and composes a scene which we must praise not only intelligence but also the wonderful feeling. Remarkable tribute to the seventeenth century who knew, perhaps better than any other, combine these two qualities have to constantly examine their reports ...
Catherine Robert
the tragic love of Pyramus and Thisbe, Theophile de Viau; staging of Benjamin Lazar. May 27 to June 12, 2010. Tuesday at 19h, Wednesday through Saturday at 20h. Exceptional mornings June 6 to June 12 and 16h to 15h. Athénée Théâtre Louis-Jouvet, square de l'Opéra Louis-Jouvet, 7 rue Boudreau, 75009 Paris. To book call 01 53 05 19 19. Duration: 1h45.
http://www.journal-laterrasse.com/les-amours-tragiques-de-pyrame-et-thisbe-1-5742.html 
Much more amiable than Boileau reproached with acidity Viau the last verses of Thisbe (Ah, here's the dagger that the blood of his master-was stained loose, he flushed the traitor), Catherine Robert's Terrace has been it is sensitive to the writing of Theophile and his interpreters. The end "stabbing" is described as "poignant". Happy development: we blush!
Criticism /
the tragic love of Pyramus and Thisbe
Benjamin Lazar depicts the tragic love of Pyramus and Thisbe, Theophile de Viau. A show in the manner of Grand Century that combines elegance and beauty of dramatic effects.
must recognize that the true bias requirement is that of Benjamin Lazar and his companions defeated the outset the eye and ear. The director and designer of the art of play that mimics the habits of the classic scene scenic readily admits: its so ready to smile as the first contemporary crushes speak French now that these young artists dare resurrect the complexity and the original form of his diction. But we soon please understand what we mean and admire the strength suggestive gestures that appeared first hieratic and mannered. Language becomes an object to be theatrical and restored in the richness of rhyme and rhythm: each syllable, even better, as each phoneme is essential to note melody became a speech. Heightening the beauty of the poetry of Theophile de Viau, the actors make their art and its aesthetic virtue first and goldsmiths are specific to this project which focuses the company for several shows to return each time a "language event .
intelligence and sensitivity
Lit by candlelight, the scene offers chiaroscuros carve the flesh and play with the precious beauty of the costumes. The gold and black color tables all most elegant one than the others, moving between secret rendezvous with the lads brilliant moments of anger of a tyrannical monarch who confuses his desire and the law. The form of elaborate staging and play, far from crushing the bottom and lessen the plot, instead the door to its maximum intensity, particularly in the scene of remorse of the mother of Thisbe who understands it too late to protect love his daughter, and in the final scene where, one after another, Pyramus and Thisbe stabbing himself for losing one's "soul" and the other his "heart." The show of passion is rarely shown so poignant and beautiful as do Benjamin Lazar and Louise Moaty who sing the beauty of the poetry of Theophile de Viau with amazing and exciting talent. All the actors are of precision and accuracy of all rare and composes a scene which we must praise not only intelligence but also the wonderful feeling. Remarkable tribute to the seventeenth century who knew, perhaps better than any other, combine these two qualities have to constantly examine their reports ...
Catherine Robert
the tragic love of Pyramus and Thisbe, Theophile de Viau; staging of Benjamin Lazar. May 27 to June 12, 2010. Tuesday at 19h, Wednesday through Saturday at 20h. Exceptional mornings June 6 to June 12 and 16h to 15h. Athénée Théâtre Louis-Jouvet, square de l'Opéra Louis-Jouvet, 7 rue Boudreau, 75009 Paris. To book call 01 53 05 19 19. Duration: 1h45.
http://www.journal-laterrasse.com/les-amours-tragiques-de-pyrame-et-thisbe-1-5742.html
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